By Jasmine Day
The so much penetrating research of the curse ever carried out, The Mummy's Curse uncovers forgotten nineteenth-century fiction and poetry, revolutionizes the learn of mummy horror movies, and divulges the prejudices embedded in children’s toys.
Examining unique surveys and box observations of museum viewers display that media stereotypes - to which museums inadvertently give a contribution - advertise vilification of mummies, that could invalidate calls for for his or her elimination from demonstrate. Jasmine Day exhibits that the curse's structure and which means has replaced through the years, as public attitudes towards archaeology and the center East have been reworked via occasions reminiscent of the invention of Tutankhamun’s tomb.
The riddle of the 'curse of the pharaohs' is ultimately solved via a radical anthropological therapy of the legend as a cultural proposal instead of a actual phenomenon. A needs to for somebody attracted to this historic and mystifying legend.
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Extra resources for The Mummy's Curse: Mummymania in the English-speaking World
Sample text
Nicholas Daly (1994) interprets romances as analogies for the disruption caused to traditional economic systems by the advent of consumer economies. Romances were regressive fantasies in which resistance to collectors’ control of objects, and thereby to European domination of the Orient, were ultimately contained. :36). ’ (Bernard 1890:23), a revived mummy berates the scientists who have poked and prodded him (Poe 1990:107–9) and an intoxicated antiquarian, trapped overnight in the British Museum, fantasizes that its Egyptian statues and mummies cavort together in a drunken dance (Anonymous 1857).
In 1869, the Prince of Wales participated in a staged ‘discovery’ of around thirty mummies in a tomb at Thebes (modern Luxor), which he distributed among a number of British museums. Removed from other locations, they had been planted in the tomb – a common stratagem for entertaining officials. Thomas Cook, pioneer of Egyptian package tours, adapted the practice to his guided excursions (Ikram and Dodson 1998:69). Mummy fragments embodied Egypt just as complete bodies did. French novelist Gustave Flaubert souvenired a mummy’s foot, which he displayed on his desk for the rest of his life (Pringle 2001:207).
No,’ said Tha Hir . . ‘we see nothing unusual in the present fashions, except, . . ’ Was Joseph’s Rival for Favor of Pharaoh (Milwaukee Journal 1930) boss i went and interviewed the mummy of the egyptian pharaoh in the metropolitan museum . . insignificant and journalistic insect says the royal crackling in my tender prime i was too dignified to have anything as vulgar as ambition . . we used to spend our time feeding the ibises and ordering pyramids sent home to try on . . Don Marquis, archy interviews a pharaoh, 1922 (1927: 21–2) Those interested in history, especially Biblical episodes set in Egypt, wished that mummies could recount their life experiences.