By Peter Jackson
This leading edge e-book marks an important departure from culture anlayses of the evolution of cultural landscapes and the translation of prior environments. Maps of that means proposes a brand new time table for cultural geography, one set squarely within the context of up to date social and cultural idea. Notions of position and area are explored during the research of elite and renowned cultures, gender and sexuality, race, language and beliefs. wondering the ways that we make investments the area with that means, the booklet is an advent to either culture's geographies and the geography of tradition.
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Additional resources for Maps of Meaning: An Introduction to Cultural Geography (Contours)
Example text
Nor is it concerned only with specific places, except insofar as the processes described have a distinctive geography. The conception of cultural geography advanced here focuses on the way cultures are produced and reproduced through actual social practices that take place in historically contingent and geographically specific contexts. It is in the specification of context in its fullest sense that geography can make its most immediate contribution to cultural studies, rather than through a unique interest in the geographical distribution of ‘cultural traits’.
Obviously, a culture cannot exist without bodies and minds to flesh it out; but culture is also something both of and beyond the participating members. 40–1). In this definition, ‘culture’ is treated as an entity that individuals merely ‘participate in’ or ‘flesh out’. Culture is ‘touched by’ historical and socioeconomic forces, not generated by them. agency, responding instead to its own internal momentum. In each of these respects the super-organic approach to culture runs counter to the emphasis of much contemporary social theory.
But it was two students of Boas, Alfred Kroeber and Robert Lowie, who had most influence on him. Lowie introduced Sauer to the second volume of Ratzel’s Anthropogeographie, the book that signalled Sauer’s final liberation from the conceptual straitjacket of environmental determinism. Lowie also drew Sauer’s attention to Eduard Hahn’s work on the domestication of plants and animals, an interest that Sauer himself came to share. Sauer’s approach to culture, however, owes most to the formulations of Alfred Kroeber.