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Indian Islamic Architecture: Forms and Typologies, Sites and by John Burton-Page

24 February 2017 adminHuman Geography

By John Burton-Page

The British pupil John Burton-Page contributed a number of formative articles on Indian Islamic structure for the Encyclopaedia of Islam over a interval of 25 years. Assembled the following for the 1st time, those supply an insightful review of the topic, starting from the earliest mosques and tombs erected through the Delhi sultans within the thirteenth, 14th and fifteenth centuries, to the good monuments of the Mughal emperors relationship from the sixteenth and seventeenth centuries. The articles disguise the crucial sorts of Indian Islamic structure -- mosques, tombs, minarets, forts, gateways and water constructions -- in addition to crucial websites and their monuments. Unsurpassed for his or her compression of data, those succinct articles function the absolute best creation to the topic, indispensible for either scholars and guests. The articles are supplemented via a portfolio of photos particularly chosen for the amount, in addition to a word list and recent bibliography.

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Additional info for Indian Islamic Architecture: Forms and Typologies, Sites and Monuments (Handbook of Oriental Studies Handbuch Der Orientalistik. Section 2 India)

Sample text

The typical BahmanÒ stilted arch continues, but the dome becomes even more bulbous, sultanate architecture 21 usually three-quarters of a sphere. A frequent tomb-pattern is a square domed cell with an open arch on all four faces; thus, since there is no integral mi˜rÊb, a small mosque is built beside the tomb. The trefoil parapet is commonly used. A common feature of the decoration is a chain-and-pendant motif in plaster, but good tilework is still a frequent ornament. The latest buildings tend to become over-ornate, and the inÁuence of the Hindu mason becomes more apparent.

A common feature of the decoration is a chain-and-pendant motif in plaster, but good tilework is still a frequent ornament. The latest buildings tend to become over-ornate, and the inÁuence of the Hindu mason becomes more apparent. The style of the {¹dil ShÊhÒ buildings at Bijapur in Karnataka is the most developed and the most original of the Deccani Sultanates. The earliest dated {¹dil ShÊhÒ building, a mosque of 918/1512–3, already shows features which characterize this style throughout: the base of the dome surrounded by a ring of vertical foliations, so that the dome resembles a bud surrounded by petals; and a three-arched façade in which the central arch is much wider than the Áanking arches.

Under Mu˜ammad’s nephew FÒrÖz ShÊh Tughluq the building art received an enthusiastic patron. Not only did he build extensively on his own account, but he arranged for the renovation or restoration of many of the monuments of his predecessors. But a strict economy had now to be practised, and plans and costings for each projected undertaking came Àrst under the scrutiny of the dÒwÊn-i wizÊra. Red sandstone and marble were no longer used, and in Delhi the favourite materials were the local quartzite for columns, jambs, arches and reveals, with the other elements built of compact plaster, usually whitewashed, over a random rubble core.

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