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Stories in Stone: Travels Through Urban Geology by David B. Williams

24 February 2017 adminNatural Resources

By David B. Williams

Within the cloth of each stone development is a wondrous tale of geological origins, architectural aesthetics, and cultural background.

You most likely don’t count on to make geological reveals alongside the sidewalks of an important urban, but if ordinary background author David B. Williams seems to be on the stone masonry, façades, and ornamentations of structures, he sees quite a number rocks equivalent to any assembled through plate tectonics. In Stories in Stone, he introduces us to a three-and-a-half-billion-year-old rock known as Morton gneiss that's the colour of swirled pink-and-black taffy; a 1935 fuel station made from petrified wooden; and a fortress in St. Augustine, Florida, that has withstood 300 years of assaults and hurricanes, regardless of being made up of a stone (coquina) that has the consistency of a granola bar.

Williams indicates us why a white, fossil-rich limestone from Indiana turned the single development stone for use in all fifty states; how the development of the granite Bunker Hill Monument in 1825 resulted in America’s first advertisement railroad; and why Carrara marble—the favourite sculpting fabric of Michelangelo—warped a lot after purely nineteen years on a Chicago skyscraper that every one forty-four thousand panels of the stone needed to be changed. From Brooklyn to Philadephia, from limestone to travertine, Stories in Stone will encourage readers to achieve that, even within the most up-to-date city, facts of our planet’s normal wonders are available throughout us in development stones which are a long way much less traditional than we'd imagine initially glance.

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Extra resources for Stories in Stone: Travels Through Urban Geology

Sample text

You can see how water and ice infiltrate and ferret out the weakest links in a rock and slowly reduce it to its constituent grains. A solid in geologic time is not truly a solid, and it will surrender to an overriding principle of nature—gravity; what goes up must come down, even if it takes millions of years or in the case of the hapless brownstones, decades. The basic geologic story of brownstone is simple and appealing. Go back 200 million years. Streams wash into a valley and deposit layer upon layer of sand and silt.

And then, as the continents continued to pull apart, Earth’s crust thinned and the Hartford Basin ripped open, like an overstuffed sausage. Black lava spread from swarms of fissures in Connecticut and all of the rift valleys that stretched for a thousand miles along the eastern margin of North America. With a consistency of ketchup, the basalt flowed thousands of yards per day. In addition to wreaking havoc on the landscape, the viscous basalt spewed out trillions of tons of sulfur dioxide and carbon dioxide, generally making the planet an unpleasant place for any species that liked clean air.

Lyell’s book helped establish that Earth was not created six thousand years ago but must be very old because geologic phenomena, such as erosion and deposition, occurred so slowly that vast expanses of time were necessary to produce the planet’s varied landscapes. A third great advance came from Swiss-born geologist Louis Agassiz, whose Étude sur les glaciers in 1840 established the importance of ice in sculpting landscape. Agassiz showed that a great and geologically recent ice age was responsible for ice sheets that carved valleys, shoved moraines, and carried erratic boulders.

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