By Paul Murray
Why does Skippy, a fourteen-year-old boy at Dublin’s venerable Seabrook collage, prove useless at the flooring of the neighborhood doughnut shop?
Could it have anything to do along with his buddy Ruprecht Van Doren, an obese genius who's decided to open a portal right into a parallel universe utilizing ten-dimensional string theory?
Could it contain Carl, the teenage drug broker and borderline psychotic who's Skippy’s rival in love?
Or may possibly “the Automator”—the ruthless, smooth-talking headmaster rationale on modernizing the school—have whatever to hide?
Why Skippy dies and what occurs subsequent is the topic of this impressive and uproarious novel, unraveling a secret that hyperlinks the men of Seabrook collage to their mom and dad and academics in methods not anyone can have imagined. With a solid of characters that levels from hip-hop-loving fourteen-year-old Eoin “MC Sexecutioner” Flynn to basketballplaying midget Philip Kilfether, choked with questions and solutions on every thing from Ritalin, to M-theory, to bungee leaping, to the hidden that means of the poetry of Robert Frost, Skippy Dies is a heartfelt, hilarious portrait of the discomfort, pleasure, and coffee great thing about formative years, and a sad depiction of a global continuously satisfied to sacrifice its weakest contributors. because the twenty-first century enters its teenage years, it is a breathtaking novel from a tender author who will come to outline his generation.
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Sample text
Cried Ned Newton gaily, as he got into one of the several tree canoes provided for the transportation of the party up the Chamelecon river, for the first stage of their journey into the wilds of Honduras. "All aboard! " It brought those days back, in a measure, to Tom also. For there were a number of canoes filled with the goods of the party, while the members themselves occupied a larger one with their personal baggage. Strong, half−naked Indian paddlers were in charge of the canoes which were of sturdy construction and light draft, since the river, like most tropical streams, was of uncertain depths, choked here and there with sand bars or tropical growths.
Damon standing in a little clearing, with upraised club, Tom could not repress a laugh. "Kill it, Tom! " begged the eccentric man. " And so it was, at first glance. For it was a giant iguana, one of the most repulsive−looking of the lizards. Not unlike an alligator in shape, with spikes on its head and tail, with a warty, squatty ridge−encrusted body, a big pouch beneath its chin, and long−toed claws, it was enough to strike terror into the heart of almost any one. Even the smaller ones look dangerous, and this one, which was about five feet long, looked capable of attacking a man and injuring him.
He may get into trouble. " CHAPTER XV. IN THE COILS 49 Tom Swift in the Land of Wonders Off they started through the jungle, trailing after the impetuous professor who was intent on capturing the iguana. The giant lizard's progress could be traced by the disturbance of the leaves and underbrush, and the professor was following as closely as possible. So fast did he go that Ned, Tom and Mr. Damon, following, lost sight of him several times, and Tom finally called: "Wait a minute. " "I'll have him in another minute," answered the professor.