By R. Barton Palmer, William H. Epstein
Biopics—films that chronicle the lives of recognized and infamous figures from our nationwide history—have lengthy been one in every of Hollywood’s most well-liked and significant genres, supplying audience numerous understandings of yankee nationwide id. Invented Lives, Imagined groups presents the 1st full-length exam folks biopics, concentrating on key releases in American cinema whereas treating contemporary advancements in 3 fields: cinema stories, fairly the heritage of Hollywood; nationwide identification experiences facing the yankee adventure; and scholarship dedicated to modernity and postmodernity. motion pictures mentioned contain Houdini, Patton, the good White desire, sure for Glory, Ed wooden, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the e-book can pay distinctive cognizance to the the most important regularly occurring plot alongside which biopics traverse and show off American lives, at the same time they change a number of the notions of the nationwide personality.
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Additional info for Invented Lives, Imagined Communities: The Biopic and American National Identity
Example text
We see it (from beneath the surface) sink to the bottom, in water that is a chilly blue. In only seconds he is out of the trunk, of course, swimming toward the camera with a look of strain from the cold. But now he cannot find the hole and is struggling to get to a break where he can breathe. This he succeeds in doing twice, but the scene cuts back to the ice and the crowd formed there, and to Bess declaring that it has been far too long, he’s never been under this long before. Otto calls for grappling hooks, and the trunk is lifted and opened, only to reveal that Houdini’s not in it.
Its connection with the show, with the special vision, and with spectral experience all render this body poetic, irrational—because carried beyond rational limits in its secret ability to manipulate the rational configuration of enclosure and imprisonment. “The ‘magical’ body which the poet seeks is the ‘subtle’ or ‘spiritual’ or ‘translucent’ body of occidental mysticism, and the ‘diamond’ body of oriental mysticism, and, in psychoanalysis, the polymorphously perverse body of childhood” (Brown 1959, 313).
Where the biographical subject is relatively unknown for his physique, the setting, costumes, props, and locations are used to convincingly portray a historically “real” scene that lends credence to the subject (Graham Faulkner as St. Francis of Assisi; Liam Neeson as Oskar Schindler). The ontological spike in biography is central to its pedagogical effect, that by learning of the life of a notable personage we can transfer some moral power to ourselves, thus improving the nature of our own existence.