By Tonglin Lu
Regardless of transformations within the political, social, and fiscal structures of Taiwan and mainland China, the method of modernization in either has challenged conventional cultural norms. Tonglin Lu examines how modifications in cultural formation among Taiwan and China have motivated reactions to modernity and the way cultural id has taken diverse kinds on each side of the Taiwan straits. She illustrates how those changes within the adventure of modernity are expressed via research of paradigmatic movies produced in either nations, with a selected emphasis on their formal experiments.